Beatrice Babin

Professorin Lehrstuhl Montage (Hochschule für Fernsehen und Film München)

Editor (in Berlin and Munich) + Chair for Studies in Philosophy and cinema, at Munich (Germany), with a degree thesis about Federico Fellini: the clown as a shape at the border between life and death. She lived many years in New York and in Africa, and is an editor since 2000. She has worked with Emily Atef, Volker Koepp, Micah Magee, Wael Shawky, Michael Klette, Cordula Kablitz, Wim Wenders, Markus Imhoof, and many others, who helped her to develop her sensibility. She is member of the German Film Academy and of the BFS (German Editors Association). Since 2020 Chair: Film Editing, HFF Munich.

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