THE FILM PROGRAMME OF DOK.fest MÜNCHEN @HOME
121 Films from 42 countries at the 35th International Documentary Film Festival Munich
The films of the 35th DOK.fest Munich are unfortunately no longer available. We look forward to seeing you at the 36th DOK.fest Munich, from 05 to 16 May 2021!
FOREST CODE – CODE FORESTIER (Kanada 2019, Charles-Émile Lafrance). Two Canadian lumberjacks and an abundance of trees – a farewell and the path to a new future.
I, PASTAFARI: A FLYING SPAGHETTI MONSTER STORY (USA, Niederlande, Österreich 2019, Michael Arthur). A pasta-based deity puts the status of religion on trial – terrifically funny and yet deadly serious.
IL PIANETA IN MARE – INDUSTRIAL VENICE (Italien 2019, Andrea Segre). Disused manufacturing facilities and the last trattorias: Venice after the industrial dream.
JENSEITS DES SICHTBAREN – HILMA AF KLINT – BEYOND THE VISIBLE – HILMA AF KLINT (Deutschland 2019, Halina Dyrschka). Hilma af Klint - pioneer of abstract art. A portrait of a sensational painter.
KING OF THE CRUISE (Niederlande 2019, Sophie Dros). Pure eccentricity: Baron Ronald loves the luxury of cruising on the high seas.
LA FIN DES TERRES – WHERE THE LAND ENDS (Kanada 2019, Loïc Darses). Self-portrait of a province: Quebec in the mirror of its society - yesterday and today
LA LANGUE EST DONC UNE HISTOIRE D'AMOUR – LANGUAGE IS A LOVE STORY (Kanada 2019, Andres Livov). French for beginners: adult migrants study at a language school in Montreal.
LE KIOSQUE – THE KIOSK (Frankreich 2020, Alexandra Pianelli). The microcosm of a magazine kiosk. The big picture in miniature.
LENE UND DIE GEISTER DES WALDES (Deutschland 2019, Dieter Schumann). In the mood for a holiday: Lene discovers the secrets of the Bavarian forest.
LESSONS OF LOVE – LEKCJA MIŁOŚCI (Poland 2019, Małgorzata Goliszewska, Kasia Mateja). Jola turns 70. She leaves her husband. About love in the golden years.
LONG LIVE LOVE – LEVER ELSKER SAVNER (Dänemark 2019, Sine Skibsholt). The turbulent puberty years and a cancer diagnosis. Rosmarie shares with us - as if she was writing in her diary - and reveals her tremendous lust for life.
MATING – PARNING (Schweden, Dänemark 2019, Lina Maria Mannheimer). Love 2.0: between the digital and analogue worlds two 20-year-olds search for themselves and a way to be together.
NACHSPIEL – AFTERMATH (Deutschland 2019, Christoph Hübner, Gabriele Voss). The dream of becoming a professional soccer player can be over sooner than hoped – and then what?
QUEEN LEAR (Türkei 2019, Pelin Esmer). Shakespeare, the Turkish way: women from Anatolia stage “King Lear” with a twist.