• PRESIDENT / DOK.international

THE FILM PROGRAMME OF DOK.fest MÜNCHEN @HOME

131 films from 43 countries: The film programme of DOK.fest München 2021 @home at a glance.
You can now purchase tickets. The programme booklet can be viewed here.

2021202020192018201720162015201420132012201120102009200820072006200520042003 All sections DOK.guest CanadaDOK.internationalDOK.deutschDOK.horizonteStudent AwardDOK.panoramaMünchner PremierenDOK.specialDOK.educationDOK.focus humaNatureBest of FestsDOK.network AfricaRetrospektiveDOK.aroundtheclock All countries AfghanistanAlgeriaArgentinaAustraliaAustriaBelarusBelgiumBrazilBulgariaBurkina FasoCanadaChileColombiaCroatiaCubaCzech RepublicDenmarkEstoniaFinlandFranceGeorgiaGermanyHong KongHungaryIrelandIsraelItalyJapanKenyaLatviaMacedoniaMexicoNetherlandsNigeriaNorwayPolandPortugalQatarRussian FederationSerbiaSierra LeoneSlovakiaSloveniaSouth AfricaSpainSwedenSwitzerlandUkraineUnited KingdomUnited StatesVenezuela All tags AfricaAsiaBrave new digital worldCinema at its best!Coming of AgeCritics and VisionariesDOK.4teensDOK.music Open AirEastern Europe, the Balkans, CaucasusFor CinephilesHero's JourneyHow do you feel about religion?Human StainsHumans and other animalsLatin AmericaLet's talk about moneyLooking BackMove it - music and danceNear and Middle EastNominees ARRI AMIRA AwardNominees DOK.fest Award of SOS-Kinderdörfer weltweitNominees Talent Award of FFF BayernNorth AmericaOvercoming bordersSouthern EuropeSports – Sweat, Blood and TearsStrokes of fate and self-determinationThe artist is present – art and artistsThe future of the planet

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VIKTOR Main Competition DOK.international: DER NACKTE KÖNIG – 18 FRAGMENTE ÜBER REVOLUTION (Germany, Poland, Switzerland 2019, Andreas Hoessli, DOK.international). In 1978 Andreas Hoessli went to Poland for his doctoral studies. There he made friends with Ryszard Kapuscinski, who was working as a reporter on the unrest in Iran. Shortly after that the Solidarity protests began. 40 years later Hoessli looks back at the great upheavals that ran parallel to each other.

#Looking Back

DER KRIEG IN MIR – THE WAR IN ME (Germany, Switzerland 2019, Sebastian Heinzel, DOK.deutsch). Can our parents and grandparents’ traumatic experiences influence our behaviour? Could they be inscribed in our DNA? Nightmares about war lead the director on a journey into his family’s past.

#Looking Back, #Human Stains

DOPPELGÄNGER (Austria, Germany 2018, Michaela Taschek, Student Award). Erich Taschek, the filmmaker’s father, died suddenly in the bathroom of a heart attack. Until then he had been living with his family in a self-built house. But his daughter claims that he had disappeared much earlier. 24 years ago he changed places with a doppelganger: a man that looked like him and yet was no longer him. An essay film that digs deep into the family album looking for clues.

#Looking Back

MY UNKNOWN SOLDIER – MUJ NEZNAMY VOJÍN (Czech Republic, Latvia, Slovakia 2018, Anna Kryvenko, Best of Fests). This essay-like collage blends private and public historiography: the family album of the director Anna Kryvenko, from which her great uncle, a Soviet soldier, was removed, alongside archive material, including USSR propaganda.

#Eastern Europe, the Balkans, Caucasus, #Looking Back

PUTIN'S WITNESSES (Czech Republic, Latvia, Switzerland 2018, Vitaly Mansky, Best of Fests). On New Year’s Eve in 1999, Boris Yeltsin presented his successor on Russian television. Vitali Manski was allowed to follow Putin and his inner circle closely during the year that followed. Today, living in exile, he looks back. At what point could the return to totalitarianism have been stopped?

#Looking Back